ORKESZTIKA
ALAPÍTVÁNY - MOZDULATMŰVÉSZETI STÚDIÓ
Orkesztika Foundation - Art of Movement studio
Planned
dance courses of Mozdulatművészeti Stúdió
in 2008-2009
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The courses are open to
everybody regardless of previous education, with the possibillity
to join in anytime.
available from
November 2008.
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17.00
- 17.45
Fenyves Márk
Mozdulatművészet gyerekeknek (7-10 év) |
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17.00
- 17.45
Fenyves Márk
Dance
for Children
Art of Movement for Children between
7 to 10 years
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17.00
- 18.00
Juvancz Bea
Mozdulatművészeti Testképző Gimnasztika
Hölgyeknek, Asszonyoknak |
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17.00
- 18.00
Juvancz Bea
Art
of Movement Body Forming Gymnastics for the
Ladies |
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16.30-18.00
Balogh Janka
Contemporary Jazz for beginners |
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18.00-19.30
Balogh Janka
Contemporary Jazz for intermediates |
18.00
- 19.30
Torda Kata
Kortárs tánc tiniknek
Alapoktól indulva a szárnyalásig |
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18.00
- 19.30
Torda Kata
From
the basics of the contemporary dance to the
wings / for teeneagers |
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18.00-19.30
Jantner Emese
Contemporary dance for beginners |
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17.00
- 17.45
Fenyves Márk
Mozdulatművészet gyerekeknek (7-10 év) |
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17.00
- 17.45
Fenyves Márk
Dance
for Children
Art of Movement for Children between
7 to 10 years
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17.00
- 18.00
Juvancz Bea
Mozdulatművészeti Testképző Gimnasztika
Hölgyeknek, Asszonyoknak |
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17.00
- 18.00
Juvancz Bea
Art
of Movement Body Forming Gymnastics for the
Ladies |
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16.30-18.00
Balogh Janka
Contemporary Jazz for beginners |
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18.00-19.30
Balogh Janka
Contemporary Jazz for intermediates |
18.00
- 19.30
Torda Kata
Kortárs tánc tiniknek
Alapoktól indulva a szárnyalásig |
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18.00
- 19.30
Torda Kata
From
the basics of the contemporary dance to the
wings / for teeneagers |
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18.00-19.30
Jantner Emese
Contemporary dance for beginners |
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| 17.30-20.00
Kísérleti Impro Műhely
Biharvári József
+36-30-579-6681
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17.30-20.00
Experimental Impro Workshop
Biharvári József |
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 MEGLEPETÉS
ESTÉK |
*
the teachers of the studio are active artists,
due to their theatrical engagements substitutions
and supplements in different times may occur
* don't be afraid to try out the classes, because
it's not allowed to watch them!
Important informatios:
The participation
fee is paid in advance. This is the primary
condition of participating in classes. It
counts as a whole month, if at least 6 lesson
is held of the twice a week classes, or
if 3 lesson in once a week classes. The
right of changing the program is reserved! |
>>>További
információ és bejelentkezés<<<
>>>More information<<<
Registration
time:
Starting of courses in the New Year:
5th January, 2009
Open week: in the beginning of February 2009.
On this week you can try out any of our
courses one time for free. This way, we'd like to
help you to choose what course you'd like to participate
in. |
We would like to meet you too!
Due
to limited capacity you previous registration needed!
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| Baranyai,
Balázs |
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He
was born in 1981. Afer finishing the Art of Dance Secondary
School of Pécs, he graduated at the Hungarian Dance
Art University. Was the member of the Lyon Opera Ballet,
and the Ballet d'Europe. Choreographer of the workshop
"One my side.." In 1997 won the second place
at the Hungarian International Dance Competition. In
1999 and 2001 won the first and the second prize of
Hungarian Dance Art University and Noverre Foundation's
Choreographer's Competition. He worked wit several famous
choreographers, as Mats Ek, Jiri Kylian and Natcho Duato.
From 2006 he's been the member of Compaigne Pál Frenák.
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CONTEMPORARY
DANCE
Tuesdays and Thursdays 18.00-19.30 |
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| Balogh,
Janka |
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economist, dance instructor, indipendent dancer
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I've
been doing movement art since my childhood, after learning
classical ballet and artistic gymnastics, I got to the
modern dance (Graham- and Limon- technique, art-jazz,
kontakt, mime, butoh). Developed my knowledge at workshops,
my masters were Atsushi Takenouchi, Tadashi Endo, Yuko
Kaseki, Kazue Ikeda, Yo Xakabé, Yui Kawaguchi, Joseph
Thmim, Földi Béla, Raza Hammadi, Lőrinc Katalin, Uhrik
Dóra, Dezső Virág, Ide van Heiningen, Michael Kropf, Bill
De Young. Since 2003 I’ve been doing dance pedagogy, and
worked as freelance dancer in the projects of, Hágen Zsuzsa,
Bérczi Zsófia, Yumiko Yoshioka, Miki Sato and Kinya Tsuruyama.
Now I'm on my final year at the Hungarian Dance Art University.
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CONTEMPORARY
JAZZ DANCE
/for beginners
Tuesdays and Thursdays: 16.30-18.00
/for intermediates
Tuesdays and Thursdays: 18.00-19.30 |
The
sessions will involve exercises based on classical modern
dance using the Jazz dance Mattox and Hammadi techniques
and systems. In the second part of the class we're learning
choreocraphies, based on the elements learned before.
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| Buday,
Melinda |
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dancer, pedagogue
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Melinda
Buday in her childhood did artistic gimnastic and she
started dancing when she was 20. She learned Limon technique
for 6 years from Éva Gálik and she was dancing in her
performances too. In 2004 she started the Dance Academy
where she will graduate as a modern dance pedagogue this
year. B. M. teach Limon technic at MMS’ and Trafó’s dance
curses. Paricipated in several performances and workshops.
At the SoloDuo Festival in 2007 her duo choreographed
with Fülöp Ágnes, in 2008 hae solo was awarded. |
LIMÓN
BASICS - CONTEMPORARY DANCE
/for beginners
Tuesdays and
Thursdays: 19.30-21.00
/for intermediates
Wednesdays 19.30-21.00 |
I want
to give you some idea of the basic concepts of movement
that underlie the "language" or style of Limón
technique. Limón dancers learn to think about movement
in terms of alignment, succession, opposition, potential
and kinetic energy, fall, weight, recovery and rebound
and suspension. By implementing these principles in exercises,
the dancer achieves the length, stretch and strength in
the muscles that provide the freedom to do the swings,
off-center turns, suspensions and other more difficult
movements in Limón technique. These concepts form the
basic vocabulary of the Limón style, and it is the dancer's
physical mastery of the vocabulary that makes the movement
look expansive, effortless and free. |
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| Dombi,
Kati |
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In my profession I've worked a lot with speecdh and
voice. Through the years of attending university (SZTE)I
taught seech technique. I've been performing in theaters
since 1998, as substitute actor (National Theatre of
Szeged, Újszínház, Gyermekszínház). Then I turned to
movement- and dance theater, and worked with several
choreographer. From 2000 I became the active member
of the Artus Dance Theater, leaded by Gábor Goda. Participated
in Hungarian and foreign contact improvisation workshops. |
CONTACT
IMPROVISATION
Tuesday: 19.30-21.00 |
I examine the influence of speech and movement of each
other, based on my previoud experience in different
theaters. Using the elements of contact dance we improvise
through the patterns of so called "trust-exercises",
in which course giving sounds also plays an important
role. We're heading toward body awareness, changing
the center of the body. We ger to know the basic elemnets
of contact improvisation (jumping, falling, "surfing"),
and develop the awareness of the body by excersise in
pairs. In the training we create an 'inner attention",
which is foucused on our own selves and the inner quality
of the movement. |
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| Fenyves,
Márk |
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(1973) visual artist, artist of movement, orchestes, choreographer,
instructor, researcher, organizer
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Fenyves,
Márk orchestes ,is a professor and artist in Orkesztika.
Founder and artistic director of "Magyar Mozdulatművészeti
Társulat" (Hungarian Art of Movement Company). Chairman
for the Hungarian Dance Science Society, leader of the
advisory board of Orkesztika Foundation. Being a visual
artist he is the graduate of the Hungarian Applied Arts
University, then of the Hungarian Artistic Dance Academy
as pedagogue of modern dance. In 1997 he qualified as
an artist and aesthetic physical educator in Artistic
Motion and Kinesiology. His masters in artistic motion
were Berczik Sára, E. Kovács Éva, Szöllősi Ágnes, Kármán
Judit and Dr. Dienes Gedeon.
"The field of my research includes theory and practice
of Hungarian traditions for modern dance, as well as
their history."
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| ART
OF MOVEMENT - ORCHESTIKA
/base level
Monday - Wednesday: 18.00-19.30
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My instructions of Orkesztika and artistic motion follow
strictly the theory of Dienes- system of movements.
In the praxis I alloy them with traditional techniques
learned from other classical masters in artistic motion
especially with those I learned from Berczik Sára and
I am adding to them my own experience.
The purpose of my sessions is to develop body awareness,
perception of space, sense of time,
to expand dynamic feeling, to form personality and to
teach many other things than can be taught by moving.
We will be learning simplest looking things - that are
even therefore very difficult- such as: to stand, to
go etc. Real basic session.
Contrary to all other sessions,
almost in every case we will approach movements with
always new exercises.
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ART of MOVEMENT FOR CHILDREN
(between the age of 7 to 10)
Tuesdays and Thursdays
17.00-17.45-ig
Bring your child, and you can participate in the Ladies'
Gymnastics at the same time!
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The purpose of the sesions is
to win children's affection for movement and for dancing;
to encourage creativity and the aware use of one's body
through games and gymnastics. In the courses the spatial
forms, musical compositions play important part of developing
the children's creativity and imagination. This session
creates a dependeable base for any further movement
activities.
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SEEING
- MOVEMENT - SPACE
(unique series - to be announced later) |
The two main field of visuality are the
human movement and the visual arts. I've been researching
these fields for more than 20 years now. Through this
course I invite everyone to participate
for a collecive thinking porcess, who wants to gather
experiences in the possibilities of joint usage of seeing,
the space and the movement, between the circumstances
of the studio's stage.
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EXTRAORDINARY
MEETINGS OF DANCE
DANCE-THEORY LESSONS
Mondays
16.30-18.00
(biweekly from 1st September)
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Movement
history- dance problematics; movemen theory - movement
analysis; art history - style morphology; visuality and
dynamism
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MEN'S
BODY FORMING GYMNASTICS
Monday
and Wednesday: 21.00-22.00 |
The
classes are for all boys and men, who like to follow
a healthy life style, and maintain their physical and
mental well being with the help of exercising their
muscles and joints with regards to the natural human
faculties without undue stress and muscle building. |
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| Jantner,
Emese |
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Dancer, dance instructor |
Born
in Budapest. Learned at the Art of Dance Secondary School
of Pécs. For two years was the member of the dance company
of National Theatre of Pécs. In 1996 became the member
of Central-Europe Danct Theatre, leaded by Csaba Szögi.
From 1998 has been working several times with the Compaigne
Bozsik Yvette. Has been the member of Compaigne Pál
Frenák since 1999. Participated in the performances
"Symposion, "Tricks & Tracks" and
"ChaOs". In 1999 and 2000 won the Viktor Fülöp
Dance Art Scholarship. Between 2003 and 2006 was learning
and working in Paris In 2006 together with Anikó Juhász
founded the "Dance and Fittheater" which goal
is to educate children(ballet, modern dance, fitness,
acrobatics). Since 2008 she's been working with Compaigne
Pál Frenák again. |
| CONTEMPORARY DANCE
for beginners
Mondays
- Wednesdays 18.00-19.30
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| Juvancz,
Bea |
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Pedagogue, Physical Educator, Kinethologist,
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I
first met the art-of-movement as a phisical educator in1997,
which I got engaged from the first moment. I finished
the "Esthetic Body Forming" course of the Hungarian
Movementculture Association, where I was taught by such
prominent instructors as Sára Berczik, Éva E. Kovács,
Judit Kármán, Ágnes Szőllősi, Dr. Gedeon Dienes, István
Pálosi and Márk Fenyves.
In the Art of Movement Studio I've been holding classes
from 2001 for those, who want to move healthy and beautifully,
or to develop their physical condition, and form their
body and soul to be harmonic. In the classes the joy of
movement develops, builds the awareness of the body, makes
one more confident, so it has a character building effect
too.
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| GYMNASTICS
FOR WOMEN - BODY TRAINING THROUGH ART of MOVEMENT
Tuesdays
and Thursdays
17.00-18.00
During your exercise have your child take part in a
creative, playful dance class! Bring your family with
you and have them move! |
The
sessions are for anyone, who wants to move healthy and
with grace, increase stamina, and develop both body
and soul in a harmonious manner without the professional
obligation of an artist, athlete, or actor; just for
the fun of it!
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| Kármán
Judit |
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movement artist, physicotherapist,, movement pedagogue,
assistant professor (retired) |
Kármán
Judit is trained in artistic motion, physiotherapy and
pedagogy of movement. She graduated in artistic motion
as the pupil of Berczik Sára. She is a retired adjunct
professor of the Faculty of Physiotherapy, where she
introduced – and where her pupils still continue – the
teaching of aesthetic physical education. |
ART
OF MOVEMENT
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Her
exercises will emphasise serious body development and
body awareness together with the joy of movement, the
harmony of music and movements, always trying to find
new and newer combinations of motion. |
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| Magusin
Anna |
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(1964) dancer, choreographer,
pedagogue
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Student
of "Brabants Conservatorium" Tillburg, (dancepedagogy.
ballet and folk dance 1983-85), "Rotterdamse Dansacademie",
Rotterdam (dancepedagogy. moderndance and folkdance 1985-86).
Student of Hungarian Dance Art University, as moderndance
pedagogue (from 2006).
Been Dance artist at the following companies: "Folkloristisch
Danstheater", Amsterdam (1986-89), "Aidjamal"
- company, Groningen (1989-90), Hungarian National Army's
Dance Theater (1990-92), Central-Europe Dance Theater
(1992-96), Compaigne Bozsik Yvette (1996-2001). Guest
performer at Miskolc National Theater (2002-2005), and
the Hungarian Art of Movement Company. Freelance dancer
since 2001. She's been teaching modern dance in the Art
of Movement Studio since 2006. |
MODERNDANCE
Mondays - Thursday: 19.30-21.00
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"In the beginning of the session we relax and warm
up, so that we can feel the bloodflow in every little
part of our body.
Following that, we do some excersises based on the Graham-,
Limon- and Mattox- techniquel, to strenghten our muscles,
develop our body awareness, and coordination ability.
In the last 20 minutes of the session we learn choreographic
combinations of my inventions." |
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| Pálosi,
István |
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 (1971)
dance artist, choreographer, pedagogue, organizer
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István
Pálosi graduated as a dancer and later as a dance teacher
from the Hungarian Artistic Dance Academy, he studied
at the Folkwang Hochschule in Essen, Germany, later
also Hungarian Modern Dance with Gedeon Dienes, Sarolta
Berczik, Éva E.Kovács and Judit Kármán.
Founder and director of the Hungarian Art of Movement
Company since 1995. His classes are based on traditional
Hungarian modern dance, developing body consciousness,
coordination and the use of space . Purpose of the art-of-movement
is the creation of the artist's individual method and
style, which we are seeking together during the sessions.
We work out trends and techniques for the movement of
art in the XXIst century.
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GRAHAM
BASICS - CONTEMPORARY DANCE
/for beginners
Mondays
- Wednesdays 18.00-19.30
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Martha
Graham is considered the "mother" of modern
dance that took shape in the United States of America
during the beginning of the 20th century. Over time,
her individual dance style was moulded into a technique
and system. Graham's personality, physique, view formed
the foundation of this technique of modern dance, which
by now known worldwide. The systematic execution of
her series of movements brings about in body awareness,
coordination, and concentration. Additionally, they
result in the expression and experience of dramatic
feelings.(subtitutes: Rácz Eszter and Hucker, Kata)
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| ART
OF MOVEMENT
Mondays - Wednesdays
19.30-21.00
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His
classes are based on traditional Hungarian modern dance,
developing body consciousness, coordination and the use
of space . Purpose of the art-of-movement is the creation
of the artist's individual method and style, which we
are seeking together during the sessions. We work out
trends and techniques for the movement of art in the XXIst
century. |
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| Szántó,
Dóra Viola |
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I
arrived to an artist-family (altohugh my parents are
painters) the movements and the music won me over from
my early childhood. I was 13 years old when I started
my dance lessons (ballet, jazz, Limón- and Graam-technique,
contact improvisation, etc.) Finishind secondary school
I spent one year at the Duncan - Dienes Orchestica School,
then I spent two years at the Duncan Center Conservatory
of Prague, where I learned and experienced the human
movements, the body, the spirit, and accorging to this,
the functioning of the soul with high intensity.
From this year I came back to Hungary, besides teaching
at the Art of Movement Studio I study to be an elementary
school teacher.
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| BODY KNOWING
- SELF KNOWING
Mondays
19.30-21.00
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On this session we work together so that we get a deeper
and thorougher experience of our body and the other's
as well, and catch a wiew to the world of the soul and
the intincts. The movements most of the time are improvisations,
including the contact of the bodies. The point is not
in the quality of the performance, but the examination
and exploration, That's why for this course you don't
need any previous education, and why people of any age
can paricipate in it. |
| DANCE FOR CHILDREN
(between
the age 5 to 6)
Wednesdays 16.15-17.00
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The main goal of the session is to develeop the children's
movements, coordination and fexibility in playful excersises.
At this age the emphasis is not on learning the given
patterns of movements, but to develop the childs own
abilities and creativity. In the session the tales get
an important part, which are capapble of developing
the powers of imagination. the forms of geometry, musical
compositions. This session creates a dependeable base
for any further movement activities. |
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| Torda
Kata |
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At
this time I'm the student of Budapest Contemporary Dance
Art University, starting my final year. Previously I
finished the Budapest Dance Art Secondary School. I
tauhgt 22 years at the Elementary Schol of Dance Art
Budapest.
During these years I gained some stage experiences too.
Professional experience:
- The Evening of the Budapest Dance Art Secondary School
in each year's December at the Trafóban (2002, 2003,
2004, 2006-Graham, Limon choreograpies))
-Performed in several choreographer's pieces, as "Új
Táncok" I.(Murányi Zsófia: 3 "Nem"),
IV.(Vadas Tamara: "Csepptemető") V.(Horváth
Csaba: "Lég"), VI.(Hadi Júlia: "Üvegbura")
My instructors were:
Vladka Malá, Vicky Shick, Angelus Iván, Bakó Tamás,
Blaskó Borbála, Bretus Mária, Farkas Zoltán Batyu, Fejes
Ádám, Fekete Hedvig, Fincza Erika, Miriam Friedrich,
Gál Eszter, Hámor József, Handel Edit, Hód Adrienn,
Horváth Csaba, Juhos István Puttó, Kepes Júlia, Kun
Attila, László Mónika, Murányi Zsófia, Rózsavölgyi Zsuzsa,
Széphegyi Szilvi, Berger Gyula, etc.
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| "FROM
THE BASICS OF THE CONTEMPORARY DANCE TO THE WINGS"
/ for teeneagers
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Starting from the basic elements, throug one year we
get to a phase only dance can give us. My duty is to
give a world happier people after my course. This session
will not only develop you in your tecnique as a dancer,
but you will find the wasy of expressing and understanding
yourself. You can find the society that can only be
found here. I believe if somebody dances, forgets about
the boundaries. Ther's only the one and the music. A
youthful, dynamic session with great music, people and
space oly for teenagers. But it's also important to
learn the technical bases, because once you get, you
also get the feeling of it, and you can spread your
wings to make everything you own. I don't want to create
uniformal, but to put the disguse off your personality. |
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